Pat Naldi




Pat Naldi lives and works in London


2015   Ph.D., Central Saint Martins, University of the Arts London
MA Fine Art, Newcastle Polytechnic
BA (Hons) Fine Art, Maidstone College of Art & Design
Foundation Course in Art & Design, Mid-Warwickshire College, Leamington Spa

Peer Network Memberships:

LUX Artists' Moving Image London Critical Forum
LAND2 National Research Network
Sensingsite Research Group

Peer Review Positions:

2015 - Associate editor Philosophy of Photography Journal, Intellect Publishers
2015 - Book manuscript referee, Intellect Publishers

Selected Solo Projects, Commissions, Screenings, Broadcasts:

2017   Managing Arcadia, Yorkshire Sculpture Park. (Forthcoming)
2005   Thrilling, Outdoor Movie Season, The Wapping Project, London.
2004   The Street, Live art event & multiple, commissioned by Warwickshire Artsweek & Arts Council England.
2002   East of Eden, X-Space Web Project commissioned by Iniva (Institute of International Visual Arts).
2000   High Noon at 12º 21' 8", Catalyst Arts, Belfast.
1996   Soundscapes, Waygood Gallery, Newcastle upon Tyne & Isis Gallery, Melmerby.
1996   SEARCH (Adelaide), International Adelaide Festival & Experimental Art Foundation commission. (Broadcast on Channel 7, Australia).
1996   Cross-Winds, The Experimental Art Foundation & FM Radio Broadcast, Adelaide, Australia.(Commissioned by Richard Grayson)
1995   @shift, Bilbao, Spain. (Commissioned for pasaje by Corinne Diserens).
1993   SEARCH (Newcastle), ITV (Tyne Tees Television) Broadcast. (Commissioned by Locus +).
1991   0836-785555, Framlington Place, Newcastle upon Tyne.
1990   We are the prisoners, The Castle Keep, Newcastle upon Tyne.
1989   Vacuus, Calouste Gulbenkian Gallery, Newcastle upon Tyne.

Selected Group Exhibitions, Screenings, Broadcasts:

2016   As Above So Below, Allenheads Contemporary Arts.
2015   Videoarte e Cinema Experimental, Aliança Francesa do Derby, Recife, Brazil. (Curated by Yann Beauvais).
2015   Idiot Box, Kate MacGarry, London. (Curated by Iain Forsyth & Jane Pollard).
2014   On the Image, Yorck Studios, Berlin.
2014   Walk On. From Richard Long to Janet Cardiff, 40 Years of Art Walking, mac Birmingham, Touring to: The Atkinson, Southport, and
       Plymouth City Art Gallery.
2014   No Object, Shalfleet Drive, London.
2014   West Ten Fade Out, BAR Gallery, London.
2013   Walk On. From Richard Long to Janet Cardiff, 40 Years of Art Walking, Northern Gallery for Contemporary Art, Sunderland.
2013   Taking Place, Black Maria in The Crossing, Granary Square, London, (Curated by British Artists' Film & Video Study Collection).
2013   West Ten Fade Out, Louise Blouin Foundation, London.
2012   To be is to be perceived, Online Exhibition, LUX Artists' Moving Image, London.
2012   CSM Research, The Crossing, Granary Building, London.
2012   Common Ground, Latymer Projects, London.
2011   Responding to Rome: British Artists in Rome 1995-2005, International Rome Film Festival, Italy.
2011   GO From A to B to A, in Flood Light programme, Shoreditch Festival, London.
2010   Flood Light, Portobello Film Festival, London.
2010   PhantasmaGloria, St. John’s Church, London.
2008   Broadcast Yourself, Hatton Gallery, Newcastle & Cornerhouse Gallery, Manchester.
2008   Explorations: advancing research at CSM, Innovation Gallery, Central Saint Martins, London.
2008   Planchette in No Letters, Nettie Horn Gallery, London.
2007   This will not happen without you (From the Collective Archive of The Basement Group, Projects UK and Locus + 1977 - 2006),
       Hatton Gallery, Newcastle upon Tyne, and Interface, Belfast.
2007   Planchette (Curated by Peter Suchin) in Spectre Vs Rector, The Verger's Cottage, London.
2006   Responding to Rome: British Artists in Rome 1995-2005, Estorick Collection, London.
2006   This will not happen without you (From the Collective Archive of The Basement Group, Projects UK and Locus + 1977 - 2006), John
       Hansard Gallery, Southampton.
2005   Unrealised Projects Volume 111, g&A Studios, Sydney, Australia.
2005   Who’s afraid of the avant-garde? 2, Performance Space, Sydney, Australia.
2005   Evolutionäre Zellen, NGBK, Berlin.
2005   Risk: Creative Action in Political Culture, CCA Glasgow.
2005   12 to 12, The Old Fire Station, London.
2005   ICOLS audio finetuned, META Project Space, Hove, UK
2004   Collectivity and critical collective/cooperative cultural action, Oliver Gallery, University of South Florida, Tampa FL, USA.
2004   Connect the Dots, The LeRoy Neiman Gallery, Columbia University, New York , USA.    
2004   ISEA 2004, Baltic Sea Ferry between Helsinki, Stockholm, Marriehamn, Tallin.
2004   What in the world is more beautiful? Crawford Arts Centre, St Andrews. (Curated by Susanne Nørregärd Nielsen and Gair Dunlop)
2004   Ambulantes: Cultura Portatil, Centro Andaluz de Arte Contemporaneo, Seville, Spain.
2003/4A Century of Artists’ Film in Britain, Tate Britain, London. (Curated by David Curtis)
2003   FILE 2003: Electronic Language International Festival, Museum of Image and Sound, Sao Paulo, Brazil.
2003   How to be a perfect guest, 6th Sharjah International Biennial, Sharjah Art Museums & Expo Centre, UAE.
2003   Inter-Mission, Bow Church, London.(Curated by Julia Höner).
2003   ICOLS Audio, Juniradio, Berlin 104.1 08.-30. juni
2003   Glasgow Event, Wasps Studios, Glasgow.
2003   ICOLS, The Esplanade, Theatres on the Bay, Singapore.
2002   911+1 The Perplexities of Security, The Watson Institute For International Studies, Providence, USA.
2002   ICOLS Launch Event, Museum of Contemporary Art, Sydney, Australia.
2002   Transmediale, Berlin.
2002, Irish Museum of Modern Art, Dublin.
2002   Art meets Archive, Sydney State Records Centre, Australia.
2002   O/S, Briefcase Gallery, Sydney, Australia. (Curated by Suzanne Treister).
2001/2 CTRL [SPACE], ZKM Center for Art & Media, Karlsruhe, Germany.
2001   From Ritual to Romance, Catalyst Arts, Belfast.      
2001   Gagarin, Dundee Contemporary Arts, Scotland. (Curated by Gair Dunlop).
2000   Private, Kulture Allianzen, Cologne, Germany.
2000   Peepshow, Custard Factory, Birmingham.
1999   Marion Coutts & Pat Naldi, Citta Della Scienza, Naples, Italy.
1999   Mostra, The British School at Rome, Italy.
1997   Pasarse de la Raya, Haydee Rovirosa Gallery, New York, USA.
1997   7th International Sculpture & Drawing Biennale, Caldas Da Rainha, Portugal.(Selected by Andrew Renton).
1997   B.c.c., The Tannery and Cleveland Gallery, London. (Curated by Andrew Renton).
1997   Pasarse de la Raya, (Curated by Esther Regueira), Guadalajara Film & Video Festival, Mexico.
1997   L'art en Milieu Urbain, Actualite de L'art, Questions Urbaines, Film & Video Festival, Tokyo, Japan.
1996   White Hysteria, Contemporary Art Centre Of South Australia, Adelaide,Cleveland Gallery, London, Stripp Gallery, Melbourne, The Arts
        Centre Of Christchurch, New Zealand. (Curated by Suzanne Treister).       
1996   Post Colonial Boundaries, The Showroom, Sheffield.
1996   SEARCH (Newcastle), Leeds Metropolitan Gallery.
1996   Flashpoint, Globe Gallery, Tyne & Wear.
1995   A History of Video 1975-1995, Cornerhouse Gallery, Manchester.
1994   Arteleku, San Sebastian, Spain.
1994   MCT Broadcast, Access Station, Western Massachusetts,USA.
1994   Deep Dish TV Network Broadcast, New York,  US SatelliteTV.
1994   Independents' Day, Film & Video Festival, Victoria, Canada.
1994   Someone To Watch Over Us, Converse Gallery, Glasgow.
1993   Time & Tide, Tyne International Festival, Newcastle, (Curated by Corinne Diserens).
1993   Intervening Spaces, Myles Meehan Gallery, Darlington Arts Centre..
1991   A Question of Identity, The Close, Newcastle upon Tyne.
1990   Ward, St. Nicholas Hospital, Newcastle upon Tyne.

Published Writings:

2016   'A film in my purse...' (Interview of artist Nicole Zaaroura). In: Philosophy of Photography Journal, vol 6 issues 1 & 2, Intellect.
2015   ‘Dog Portraits'. In: Philosophy of Photography Journal, vol 5 issue 2, Intellect.
2011   Book section: 'Search: An Artist Project for Television'. In: Harris, J., & Williams, R. J., eds. Regenerating Culture and Society:
Architecture, Art and Urban Style Within the Global Politics of City-Branding. Liverpool University Press,
Tate Liverpool Critical Forum.

Book/Magazine Projects:

1999   CURIOUS: Artists' research within expert culture, Visual Art Projects, Glasgow.
1996   Broadsheet, (June issue, distribution Australia).
1995   French Institute Magazine, (February issue, distribution Europe).
1994   Versus Magazine, (Issue 3, distribution U.K.).
1993   S.I.S. Myles Meehan Gallery Publication.

Conference, Symposium & Public Talks:

2015   ‘Occupy UAL: the democratising of space’. In: Spaces and tactics of politics: Transnational connections, neoliberalisation and the
       reshaping of civil society
, University of Turku, Finland.
2015   ‘Power aesthetics of the city’. In: Matter Matters. LAND2 event, University of Leeds.
2015   ‘The panoptic schema of “eye in the sky”’. In: Critical carceral geographies: practice, politics and representation. Nordic
       Geographers Meeting, Tallin and Tartu Universities, Estonia.
2015   Panel Chair for the sessions: 'Material Remains'; 'Fractal Photography'; 'Visions of Excess, Visions of Lack'; 'Memory Games'.
       In: 21st Photography: art, philosophy, technique, International Conference, Central Saint Martins, University of the Arts London.
2015   'The real [e]state'. In: In this neck of the woods symposium, Central Saint Martins, University of the Arts London.
2014   'The London city skyline: a contemporary socio-political mediation'. In: The Image, The Representation of Possibility: Understanding
        Change and Continuity through the Image. 5th International Conference, Freie Universität Berlin, Germany. (Recipient of
        Graduate Scholar Award by Common Ground Publishing, University of Illinois, USA).

2014   'Views of the city: creating London's image'. In: Seeing Like a City, Queen Mary, University of London.
2012   'City, Image, Place: The London View Management Framework'. In: LONDONICITY 2012: The Second Annual London Studies
       Conference, University of London Institute of Education.
2012   'The view from above'. In: Sensingsite, Central Saint Martins, University of the Arts London, Goldsmiths, University of
       London, British Artists' Film & Video Study Collection, Parasol unit foundation for contemporary art.
2011   'Defining the Image as Place: Protected views of the city of London'. In: The Image, 2nd International Conference, Kursaal
       Congress Palace, San Sebastian, Spain.
2010   'Between Here and Elsewhere'. In: Emerging Landscapes: Between Production and Representation, School of Architecture and the Built
       Environment, School of Media, Arts and Design, University of Westminster, London.
2010   Joint Study Day, University of the Arts London & Centre for Urban & Community Research, Goldsmiths, University of London.
2009   'Between Here and Elsewhere: Relating to Place'. In: ISEA2009, The 15th International Symposium on Electronic Art,
       University of Ulster, Belfast.
2009   ‘Defining the Image as Place’. In: Spring Research symposium, University of the Arts London.
2008   'Search: an artist project made for television'. In: Magical Mysterious Regeneration Tour: Artists, Architecture and the Future of the
Tate Liverpool.
2008   'The Mobile City: (Workshop 2), Mobile Media, Mobility, and Identity', with Tim Cresswell and Malcolm McCullough,
       Netherlands Architecture Institute (NAi), Rotterdam.
2008   ‘The World as Exhibition’. in: Summer Research symposium, University of the Arts London.
2002   'Liquid Geographies: Landscape & Identity, Language & Territory', Proboscis & Iniva, London.
1999   'Curious discussions: Interdisciplinary research: art & everything else', Visual Art Projects, Glasgow.
       (With Denis Cosgrove, Andrew Patrizio, and Susan Brind)
1999   Department of Applied Physics, Electronic and Mechanical Engineering, University of Dundee.
1999   The French Academy, Villa Medici, Rome, Italy.
1999   The British School at Rome, Italy.
1998   'Circumpolar Remote Sensing Symposium', Department of Applied Physics, Electronic and Mechanical Engineering University of Dundee.
1996   The Museum Of Sydney, Australia.
1996   'Artists' Week', The International Adelaide Festival, Australia.
1996   The Lighthouse Media Centre, Wolverhampton.
1994   'Littoral: New Zones for Critical Art Practice', Projects Environment, University College Salford, North West Arts Board and Manchester
       City Galleries, Manchester.
1994   InterAccess (Artists' New Media Resource Centre) Toronto, Canada.
1994   The Banff Media Arts Centre, Canada.
1994   ‘S.I.S’. In: Seduced & Abandoned: The body in the virtual world, ICA, London.
1994   'S.I.S.'. In: Digital Dreams 2: Power in the Immaterial World, Newcastle upon Tyne.
1993   Nomad Networks Think Tank invited Member, The Banff Centre, Canada.
1993   Intervening Spaces, Myles Meehan Gallery, Darlington Arts Centre.

Fellowships & Residency Awards:

2016   Visiting Artist Residency, Yorkshire Sculpture Park.
2016   Lead Artist for As Above So Below, Allenheads Contemporary Arts.
2001-5 Acme Fire Station Project Work/Live Residency, London.
2004   Warwickshire ArtsWeek & Arts Council England Artist-led Residency.
1998-9 Arts Council England Helen Chadwick Senior Research Fellow at The British School at Rome & The Laboratory, The Ruskin School of 
       Drawing and Fine Art, Oxford University.
1998-9 Senior Research Fellow, Department of Applied Physics, Electronics & Mechanical Engineering, University of Dundee.
1997   Research Fellow, Department of Performance, Fine Art & Design, University of Western Sydney, Australia.
1996   International Adelaide Festival Residency, The Experimental Art Foundation, Adelaide, Australia.
1994   Nomad Networks Media Arts Residency, The Banff Centre, Canada.

Selected Bibliography & Reviews:

2013   Collier, M, & Morrison-Bell, C., (eds). Walk on. From Richard Long to Janet Cardiff, 40 Years of Art Walking. Sunderland: Editions North.
2013   Harvey, J, & Lancaster, J., (eds). The Fire Station Project: Acme Studios Work/Live Residency Programme 1997 – 2013.
       London: Acme Studios.
2011   Kitchin, R., Dodge, M., Perkins, C., (eds.) The Map Reader: Theories of Mapping Practice and Cartographic Representation. London: Wiley.
2010   Ely, S, & Harris, L, Unrealised Projects, Volume 1-6, Unrealised Projects and AND Publishing.
2008   Usherwood, P. 'Broadcast Yourself'. Art Monthly, issue 315.
2007   Grayson, R. This Will Not Happen Without You. University of Sunderland Press.
2006   Responding to Rome. Rome: The British School at Rome Publication.
2005   Atkinson, D., et al (ed). Cultural Geography: A Critical Dictionary of Key Concepts. London, New York: I.B. Tauris.
2005   Cosgrove, D. Maps, Mapping, Modernity: Art and Cartography in the Twentieth Century. Imago Mundi, Vol 57, issue 1 February.
2004   Brownrigg, J. What in the world is more beautiful? Crawford Arts Centre.
2004   Levin, T., Y. 'Surveillance and the Ludic Reappropriation of Public Space'. In: Open 06, Art, Public Space and Safety. Rotterdam: NAi
2002   Christofori, R. 'CTRL [SPACE]'. Frieze Magazine, January Issue.
2002   'Big Brother…Not Just a TV Show'. Flash Art, issue 1.
2002   Levin, T., Frohne, U., Weibel, P. (eds.). CTRL [SPACE] Rhetorics of Surveillance from Bentham to Big Brother. Cambridge, MA, & London:
       MIT Press.
2002   Gibbs, M. 'CTRL [SPACE]'. Art Monthly, issue 252.










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